Written with deep intelligence and a fierce humour, Hijab Butch Blues follows Lamya as she travels to the United States, as she comes out, and as she navigates the complexities of the immigration system – and the queer dating scene. But during her Quran class, she reads a passage about Maryam, and suddenly everything shifts: if Maryam was never touched by any man, could Maryam be… like Lamya? She is a queer teenager growing up in a Muslim household, a South Asian in a Middle Eastern country. It seems easier to ease herself out of sight than to grapple with the difficulty of taking shape in a world that doesn't fit. When Lamya is fourteen, she decides to disappear. **Roxane Gay's Book Club March 2023 Pick** 'A masterful, must-read contribution to conversations on power, justice, healing, and devotion from a singular voice I now trust with my whole heart' Hijab Butch Blues (Hardback) A Memoir Lamya H
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Call to reserve a spot.Ĭorte Madera Community Center: 498 Tamalpais Drive, Corte Madera. May 31: The Reese Witherspoon/Hello Sunshine Lunch Hour Book Group discuss “You Think It, I’ll Say It” by Curtis Sittenfeld. June 1: Niki Rellon discusses “Push On: My Walk to Recovery on the Appalachian Trail.” 6 p.m.ĭiesel, A Bookstore: 2419 Larkspur Landing Circle, Larkspur 41. 3 p.m.Ĭopperfield’s Books: 850 Fourth St., San Rafael 41. Macon King, Jeb Stewart Harrison, Bonnie Monte and Sands Hall, and host Betsy Graziani Fasbinder. June 3: Words Off Paper featuring authors Christine Nelson, J. June 2: Tracy Grant discusses “The Duke’s Gambit.” 5 p.m.Ĭopperfield’s Books: 999 Grant Ave., Novato 41 /novato. May 31: Steven Herrmann discusses “Emily Dickinson: A Medicine Woman for Our Times.” 6 p.m. May 29: Deedie Runkel discusses “Scone By Scone.” 6 p.m. June 3: Mark Shaw discusses “Courage in the Face of Evil.” 1 p.m.īook Passage By-the-Bay: 100 Bay St., Sausalito 41. June 2: Ellen Klages discusses “Out of Left Field.” 4 p.m. June 2: Richard Rhodes discusses “Energy.” 1 p.m. May 31: James Pogue discusses “Chosen Country.” 7 p.m. May 30: Michelle Gable discusses “The Summer I Met Jack.” 7 p.m. May 29: Andy Couturier discusses “The Abundance of Less.” 7 p.m. May 29: Victoria Piontek discusses “The Spirit of Cattail County.” 4 p.m. May 27: Obi Kaufmann discusses “The California Field Atlas.” 1 p.m. Book Passage: 51 Tamal Vista Blvd., Corte Madera 41. The historical study of mania and hysteria between 17 has tended to fit with this gendered reading of diagnosis. The asylum was reimagined as a tool of patriarchal oppression by many researchers. Other feminist historians followed these pioneering works, and argued that historically women were more likely to be labelled as mad. Madness, once seen as elemental and physically brutish, was reimagined as a loss of an individual’s reason, which fitted the societal image of the vulnerable and irrational female. Elaine Showalter built upon this work, arguing in The Female Malady (1987) that the archetype of madness shifted from a violent and brutish male patient in the 1700s, to a female one in the 1800s. She also claimed that this was much less often the case in male patients. Chesler was a psychiatric practitioner, who took historical examples and also drew on her own experiences as a doctor to portray a patriarchal psychiatric profession which was keen to diagnose women as mad if they deviated from socially accepted norms. This historical analysis began with the 1960s wave of feminist writing, and first bore fruit with Phyllis Chesler’s 1972 work Women and Madness. The study of women’s cultural association with madness and how likely women were to be admitted to asylums has dominated much of the discourse concerning gender and madness in recent times. Historians of the last forty years have examined female mental illness in the eighteenth and nineteenth centuries more than any previous generation of academics. Lo and behold, many had commented that they had been there because of Murakami’s story. Isn’t that a truly beautiful way to go, with a melody playing in the head? I searched for the piece on YouTube and browsed through the comments section while listening to it. The author writes: ‘If you love jazz, or have any love for music at all, then you absolutely must listen to this charming record, the fruit of a passionate heart, and a cool mind…’ Death comes into focus when Parker comes in the narrator’s dream and speaks of humming a Beethoven melody, Piano Concerto No. The bewilderment at finding a nonexistent record is real as is Murakami’s love for jazz. Fast forward to the adult narrator entering a music store and spying the Parker album there. The narrator, a college student, writes the review of an imaginary Parker album, as a prank. There are three stories in the collection which has a good dose of music, starting with ‘Charlie Parker Plays Bossa Nova’. In fact, reading First Person Singular will get even the non-musicals among us hold our own in a drawing room discussion on Western Classical music. Likewise in this, the author’s relationship with music is reinforced, almost to the point of being didactic. In Murakami’s book What I Talk About When I Talk About Running, we get to understand his passion for running. There are eight stories in all and the magic unleashed is a testament to not only Murakami but also his polyglot translator Philip Gabriel. I knew it would, in a big way, define me and the rest of my life. That moment (writing the note) was so huge. I felt like I had unburdened all the shame, guilt and the disgust that I was carrying for so long with who I was. How are they similar?Ĭoming out was such a huge moment for me. You have used it to reclaim your identity. We generally associate the act of “coming out” with the LGBTQ community and assertion of their sexuality. She was at the Jaipur Literature Festival recently where she spoke to about “coming out”, of seeking for a language to describe her experience, her privilege and the absence of Dalit literature in India. As a step towards that, Dutt wrote a memoir, Coming Out As Dalit penning down her experiences, her constant pretension of being from an upper caste and wilful denial, Vemula’s suicide and her growing awareness that if circumstances were slightly different (her father was a civil servant with the State government and her mother, determined to give her an upper-caste upbringing, took pains to make her daughter not look like any other dark-skinned Dalit or be called a bhangi ) it could have been her: Her social mobility could impede systemic oppression but not preclude it.Ī journalist, Dutt is based out of New York and has been extensively writing on culture, identity and gender. The king’s voice was weak as he said, “I am soon to die. But, despite his grotesque appearance, when he came within view, the old king smiled and said, “Ah, Johannes!” and drew him near. His mouth puckered around two rotten teeth. Johannes tottered in on bowed legs, heaving his crooked back step by step and leering with his one good eye. The servant’s name was Johannes but he had served the king’s father, and his father’s father, and his father’s father’s father so loyally that all called him Faithful Johannes. The old king knew he was soon to pass from this world, and so he called for his oldest and most faithful servant. You see, Hansel and Gretel don’t just show up at the end of this story. This story is like no story you’ve ever heard. With the main characters showing up.īut don’t worry. Stories like that are boring, because they all end exactly the same way. I am well aware that nobody wants to hear a story that happens before the main characters show up. He was Hansel and Gretel’s grandfather-but he didn’t know that, for neither Hansel nor Gretel had been born yet. Once upon a time, in a kingdom called Grimm, an old king lay on his deathbed. I love the character development and that no character is all good or all bad. With or without the cliff-hanger ending, I can’t wait to read Demonglass. Hex has a healthy dose of romance and a certain creep-factor that I did not expect. I LOVED this story am really excited to recommend it to my middle school Harry Potter fans (particularly girls). All are very similar to Harry Potter.ĭespite the similarities, I am going to disagree with reviewers who say Hex Hall is too much like HP. You have a boarding school for witches, in a remote location, a protagonist unfamiliar with her own family history, mysterious attacks on students, faculty members who pooh-pooh student warnings of evil penetrating the school walls, ghosts interacting with students, a teacher who “has it in” for the protagonist, etc. That said, I am sure other reviewers have criticized Hex Hall for being too-similar to Harry Potter, and I can kind of see that argument. Other reviews could taint my opinion or make me think someone else’s opinion is my own. WHAT I LIKED: As a rule, I do not read other reviews of a book until I write and publish my own review. When Sophie’s roommate is implicated in a series of attacks on students, Sophie is determined to find the true culprit. SUMMARY: After a spell on Prom night goes horribly wrong, teen witch Sophie Mercer is forced to attend Hecate, a school for delinquent witches, warlocks, shapeshifters, faeries, and vampires. This award-winning rhyming story of a mouse and a monster has found its way into the hearts and bedtimes of an entire generation of children and will undoubtedly continue to enchant children for years and years to come. and a hungry Gruffalo! Julia Donaldson and Axel Scheffler's The Gruffalo is an undisputed modern classic and has become a best-selling phenomenon across the world with over 13.5 million copies sold. Walk further into the deep dark wood, and discover what happens when a quick-witted mouse comes face to face with an owl, a snake. A fox saw the mouse and the mouse looked good. A mouse took a stroll through the deep dark wood. The story follows Elsie, a struggling theoretical physicist who has been fake dating guys for years to pay the bills. I devoured this so quickly, and I was completely hooked the entire time. The forbidden aspect – our heroine is (fake) dating the hero’s brother – adds a whole new layer of complexity to the relationship development, and it really ratcheted up the tension. I loved that they push each other to be better, and it was EASY to see all of the ways they’re perfect together. And I adored that our hero genuinely loves the aspects of her that she is most insecure about. I loved that our heroine is strong and intelligent, yet also grapples with trying to find herself. It feels like her other work, but the vibe is also all its own – it progresses a little differently, the storyline is unpredictable, and the characters themselves are so rich and interesting. The third time’s the charm! While I have absolutely LOVED both of Hazelwood’s previous novels, this one hooked me in INSTANTLY with the banter, electric chemistry, and the tense, forbidden aspect. She made her crime fiction debut in 2005 with LAST RITUALS, the first instalment in the Thora Gudmundsdottir series, and has been translated into more than 30 languages. Show Less Product DetailsĪuthor of the bestselling Thora Gudmundsdottir crime series and several stand-alone thrillers, Yrsa Sigurdardottir was born in Reykjavik, Iceland, in 1963 and works as a civil engineer. When the two stories collide the terrifying truth is uncovered. Meanwhile, in a town across the fjord, a young doctor investigating the suicide of an elderly woman discovers that she was obsessed with his vanished son. Read more they realise they are not alone there - something wants them to leave, and it's making its presence felt. In an isolated village in the Icelandic Westfjords, three friends set to work renovating a derelict house. The voice spoke again, now slightly louder and clearer: Don't go. It could best be described as a blend of kelp and rotten meat. 'Yrsa is one of the most exciting new voices in the crime thriller world.' - Peter James The crunching noise had resumed, now accompanied by a disgusting, indefinable smell. A terrifying ghost story from the Queen of Icelandic crime, Yrsa Sigurdardottir, author of the Thora Gudmundsdottir novels. A terrifying ghost story from the queen of Icelandic crime writing. Description for I Remember You Paperback. |